segunda-feira, 25 de novembro de 2019

The physical setting of the Book of Kells

The physical setting of the Book of Kells

The exact location of the making of the Book of Kells remains the subject of debate. It is almost certain that it was made at a Christian centre associated with the cult of St Colum Cille; most likely Iona in Western Scotland, and/or Kells in Co. Meath in Ireland.
Early medieval Irish Church settlements are typically referred to as monasteries – places where a group of religious people lived and worshipped together in relative isolation from the outside world. While many places probably did have communities that fit this description, it is unlikely that the character of every early Church in Ireland was quite so uniform, and there is a good deal of variety in the surviving remains.
  • Some ecclesiastical settlements, such as Skellig Michael in Co. Kerry, were founded as hermitages – remote places of contemplation.
  • Others were located at busy infrastructural hubs – like Clonmacnoise, located at the junction of the main east-west route way across Ireland (the Slighe Mór) and the River Shannon.
The settlement at Iona may have started life as the former type, a remote hermitage, before its growth into a major Church centre. Kells on the other hand was located at a significant intersection of roads, where there was already a secular settlement of some import.
figure 1, Skellig MichaelFig 1. Skellig Michael, Failte Ireland content pool. Photographer: Valerie O’ Sullivan. figure 2, ClonmacnoiseFig 2. Clonmacnoise, County Offaly, Ireland. Photo: Courtesy of the National Monuments Service, Department of Arts, Heritage and the Gaeltacht, Ireland
Irish church settlements differed from their European counterparts in a number of distinctive ways. Typically, the surroundings were defined by a circular enclosure. Large sites sometimes had as many as three concentric rings of stone or earthen enclosure, with different activities practiced in each. The centre was reserved for the most sacred buildings, while craft activities, such as fine metalworking, and possibly the transcription of manuscripts, were practiced on the outskirts of the site.
figure 3, Nendrum monasteryFig 3. Nendrum monastery, surrounded by three concentric enclosures with the churches at the centre. By Davidcorkill - Own work CC BY-SA 4.0
Within these enclosures, the buildings themselves were relatively small and simple. Up until at least the eighth century they were typically built of timber, and so do not survive. The stone churches that replaced them were relatively small. Some of the larger Church settlements therefore have several churches to cater for the community as it expanded, as for example, those that still survive at Glendalough in Co. Wicklow. Almost invariably these plain rectangular buildings are dark structures, the high altar lit by two small windows, one to the east an one to the south. If the Book of Kells was used during the Mass when it was first made, the celebrant would certainly have required the aid of candlelight to read it.
figure 4, GlendaloughFig 4. Church buildings at Glendalough, Co. Wicklow. Photo: Rachel Moss. figure 5, Early church at Kilcummin, County MayoFig 5. Early church at Kilcummin, Co. Mayo, showing the small windows in the south and east walls that lit the altar. Photo: Rachel Moss.
Books directly associated with saints (as the Book of Kells had become by the eleventh century), might be displayed on an altar, or kept in a special, separate building. At Kells we know that the manuscript was in a building described in Irish as the airdom, at the west of the church. There is no precise translation for this word – it may refer to an annexe, or possibly a small separate building used to house relics, similar to St Ciaran’s house at Clonmacnoise.
figure 6, St Ciaran’s ‘house’ at ClonmacnoiseFig 6. St Ciaran’s ‘house’ at Clonmacnoise, Co. Offaly. A small chapel used to store the saint’s relics. Photo: Rachel Moss.
At larger sites, some means of calling the scattered community to prayer was required, and so by the tenth century we see the construction of tall bell towers adjacent to the church. These slender round towers with pointed caps were unique to Irish Church sites and were also used, on occasion, to store valuables (including books) and as places of refuge during attack.
figure 7, round tower at GlendaloughFig 7. The round tower at Glendalough. Photo: Rachel Moss.
Some of the wealthier settlements also housed large, free-standing stone crosses, often with distinctive ringed heads. These may have been used as focal points for prayer, to separate space within the settlement or to commemorate certain individuals. At Kells there are the remains of all or part of five of these monuments – testament to the wealth and grandeur of the Church there by the late ninth / early tenth centuries when they were made.
figure 8, the 'Market' cross at KellsFig 8. The ‘Market’ cross at Kells. Photo: Collection of the Department of History of Art and Architecture, Trinity College.

In the comments section below

Given what we know of the types of buildings in which treasures like the Book of Kells were kept:
  • What challenges would scholars face in studying its text and minute artwork?
https://www.futurelearn.com/links/l/n8frpxujtjo9kx09i5rq2fafsbopkn4


Very dim light to work by. They must have had good eye sight and plenty of candles. Even their tools must have been rudimentary and inks difficult to come by.

its weight and the lack of light - the danger of hot candle wax falling on to the pages. also the cold and damp conditions which could make prolonged study difficult in addition to potentially causing harm to the manuscript

Inability to see the book when trying to read it. And the weight of it to move it around. Lots of candles required.


  • errible working in the thick-walled dark often cold and damp conditions. I doubt lamps or candles would have been allowed, owing to the possibility of fire, and also the smoke damaging the precious manuscript. They would have had to sit right by a window to get enough light to work from.
     Reply
  • This is from web site 'Irish Culture and Customs: ' The Book of Kells, The Book of Durrow, The Lindisfarne Gospels and other Celtic manuscripts were written and decorated entirely by natural daylight. According to Marc Drogin in Medieval Calligraphy (Dover Books) the monasteries were so fearful of accidental fire that the use of candles or oil lamps was forbidden inside the scriptoriums (writing rooms) and libraries. The scribe worked from dawn till dusk, stopping only for prayer and meals or his turn at the hoe, working in the fields alongside his brethren.'
    I have looked at many images from illuminated manuscripts and can't see any candles or oil lamps. Working near a window is shown many times. It was bad for the eyes and researchers have found comments from the scribes in the margins saying how tortuous the work was.
     Reply
  • An absence of light, pervading damp and general chill would all have been contributory factors against studying minute text for any length of time. I commend their devotion and stamina! If I remember the film correctly, "The Name of the Rose" was set, in part, in a candlelit library with hunched monks poring over selections of Latin script and stylised illustration. It looked unforgiving, sight-straining labour...
     Reply
  • I think lack of natural light also damp and cold not great surroundings maybe that is why bright colours where used.
     Reply
  • I have visited the church buildings of Glendalough and found them enveloped in an aura of peace. It was as if I had stepped back in time and everything seemed to slow to snails pace. A trilling robin on the stone wall and the quiet donkey with its head over the wall added to the serenity.

0 Comentários:

Postar um comentário

Assinar Postar comentários [Atom]

<< Página inicial